[Interview]Park Sang-june: A Hanbok Designer Bringing Back Archaic Speech and
Fashion
1. It is a pleasure to meet you. Please briefly introduce yourself.
How is your precious health, honored readers? I am a Korean man who
turned 33 years old this year, and I am the representative of
hanbok maker HuiNoAeRak, whose aim is to make hanbok for
men that women covet.
2. When did you decide to be a fashion designer and tailor?
It was a weekend during summer vacation when I was in the second grade
of middle school. I was idling away at home, channel surfing until I
came across a ary on fashion designers who were active on the
global stage. I spotted a slim, black two-piece, two-button suit
designed by Ms. Woo Young-mi, a representative from the menswear brand
Solid Homme. The moment I saw the suit, I was struck by the words
“fresh” and “elegant.” I was so deeply moved by the suit that I said
aloud to myself, “Menswear can be as elegant as clothing for women.” I
had been thinking of becoming a fashion designer or a hair and makeup
artist, and seeing that suit made me choose the former. I became
convinced that I would follow a career “in the wardrobe.” That moment
can be said to have been the starting point of my career.
3. What motivated you to explore hanbok and become a
hanbok
designer?
It was quite similar to the way I decided to be a fashion designer.
One weekend just before summer vacation, when I was a first-year
college student majoring in fashion, I found my identity as a
hanbok designer while catching a TV ary about clothes.
Since my middle school days, I had been gathering materials and
preparing to launch a ready-made Western suit brand someday. I had
organized the materials into four categories: classical, modern,
vintage, and unisex. But after watching the ary, I threw away
all the materials to begin anew! Hanbok are classic, but they
become modern when their lines, length, and width are adjusted.
Depending on the cloth used, they can look vintage, and if all these
elements are properly mixed, they can be unisex, I thought. All these
years, I have been making hanbok with these qualities on my
mind, honored readers.
4. How do your hanbok differ from typical hanbok, and
what makes this difference significant?
Every hanbok I make is one of a kind. They are custom-tailored
to fit each of my customers perfectly. When you design and tailor
Western suits and dresses, you make new patterns for each individual
customer. Likewise, honored readers, when making hanbok, I make
unique patterns for each and every customer.
I choose my fabrics
and materials freely, and the hanbok I make often look vastly
different from those of the past. My hanbok are multifarious in
style and color due to my use of varied fabrics and
materials—different hanbok for different customers. Still,
traditional hanbok form the foundation of my designs, so I do
my best to maintain the form, structure, and composition of the
time-honored garment. Most of my hanbok are made for everyday
wear, but I sometimes traditional-style stage costumes.
5. In photographs of you wearing hanbok, you look like a
fashion model. Have you ever worked or trained as a model?
I am very humbled and grateful to hear you say that! In middle and
high school, I was interested in modeling and learned about it
casually, surfing the internet and reading books and magazines about
it, but I never took any classes. However, after I entered fashion
school at the age of 20, I studied the human body directly and
indirectly, and when I attended Seoul Fashion Week, the largest
fashion show in the nation, as a part of my classes, I came into
contact with professional models and learned about modeling in the
same ways. I sometimes go out in well-tailored hanbok and have
my photo taken. From time to time, I encounter street photographers or
magazine photographers who ask me to pose for them, in which case I
try to arrange myself in poses that best convey the sentiment and
sensibility of the hanbok I am wearing.
6. What is your personal philosophy about hanbok and its
potential?
The four-syllable Korean word on-go-ji-sin (온고지신) defines
my hanbok-making principle, as it means “reviewing the old and
learning the new.” Whether in the past or the present,
hanbok contain infinite possibilities, honored readers.
When
certain costume elements, accessories, and colors are properly blended
in hanbok, such as in my designs, they can be worn naturally in
daily life today. And when certain Western components are properly
incorporated into hanbok, they can become hanbok that
enjoy a shift in the other direction.
7. What are your plans or wishes for the future?
At the moment, I have a broad plan to expose, arrange, and establish
my hanbok more systematically. By establishing, I mean
displaying and promoting my hanbok as much as possible in
person and online. In doing so, I will try to enhance public awareness
of hanbok as regular daily clothing instead of burdensome or
uncomfortable attire or special costumes used only on the occasions of
celebration and mourning, honored readers.